How Does William Kentridge's Process Differ From Traditional Animation
periodical article
The Art Bulletin
Published Past: CAA
https://www. jstor .org/stable/43188799
In 1989, the yr of South Africa'southward seismic political transformation, William Kentridge adult his celebrated method of animated drawing. Juxtaposed confronting the country's larger political processes, Kentridge'due south convalescent and sequentialized animation do emerges as imbricated in both his recurrent streams of processions and in local imagery that deployed the visual syntax of striding figures as allegories of political restructuring. Kentridge's timely embrace of the dynamism of blitheness—a medium that speaks metaphorically of transformation—suggests how his unorthodox studio practices are embedded in South Africa's larger processes of regime change.
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Source: https://www.jstor.org/stable/43188799
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